Bill Viola has been making video tapes, architectural installations, sound environments, electronic music performances and works for television for over 30 years. His video installations such as Nantes Triptych 1992 and Five Angels for the Millennium 2001, which are both in the Tate Collection, are total environments that envelop the viewer in image and sound.
On the eve of a major new exhibition, LOVE/DEATH: The Tristan Project, at Haunch of Venison in London, Viola talks about his career and recent work.
In collaboration with Haunch of Venison
“All works of art though visible represent invisible things,” (by or about Bill Viola)
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NB All postings to this site relate to the central model in the PhD.
A video-lecture by Bill Viola – via the Tate Modern
Tate Modern video presentations are HERE
Go HERE to see a video-lecture by Bill Viola.
“All works of art though visible represent invisible things,” (by or about Bill Viola)
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NB All postings to this site relate to the central model in the PhD.
Summaries are HERE